Monica Bellucci Exclusive Pics

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Monica Bellucci admits there is "no rationality" for her when it comes to relationships. The 46-year-old Italian actress is married to French actor Vincent Cassel, and the pair have two daughters; Deva, who was born in 2004, and Leonie, who entered the world last year. As a happily married woman Bellucci finds it tough to offer love advice, as for her there are no specific rules to follow. "I am carried by the moment and instinct. No rationality, only emotions. You love or you don't," she explained to French publication Paris Match. "You don't decide sitting around a table: OK, so I have two kids, 16 years of life as a couple, that would be nice if it lasts, but how I am going to make it work?

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Me, I decide, day after day. It could be possible, that, suddenly, our relationship doesn't make any more sense, that he or I could need something else. But right now, it works. Bellucci also expressed how thrilled she was to welcome Leonie into the world last year. The star initially thought one child would be enough, although was over the moon to have another tot. "I didn't believe I would have another child. I was so fulfilled with Deva! I wanted to enjoy each moment with her. And then, really smoothly, the idea of a new pregnancy was set," she smiled. "I had breastfed Deva for nine months. But Leonie, I couldn't stop. She didn't want me to. So it lasted for a year and it's only been a couple of months that she has weaned."

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Tuesday, 6 September 2011 - * Fans of steamy French cinema may have expected a film titled Un Été Brûlant (A Scorching Summer) starring Monica Bellucci and Louis Garrel to be a hot, sexually charged affair. Not so, says French auteur Phillippe Garrel. "Part of the reason I cast my son Louis and my father Maurice, is that I can't stand sex scenes. So this is my excuse, I can't film my family in a love scene it would be too weird."

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Has Todd Solondze gone soft? He said ahead of the premiere of his latest film, Dark Horse: "I suppose I just wanted to see if I could make a movie without rape, paedophilia, or masturbation." Fans need fret not, as the director still delivers a witty examination from the other side of the American Dream. The director says of the comedy: "It's funny in a way that doesn't make me laugh, because it's full of too much pathos."

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I keep saying that Monica Bellucci looks like she isn’t aging, but these photos for Paris Match magazine have me wondering what’s really going on here. Is it just me or does every photo shoot Monica does these days look pretty much the same? (You can compare and contrast by clicking those links if you want.) It seems like Monica did a ton of photos at some point in the past and they just keep re-using them every time there’s a story on her. Either that or she really isn’t aging. And why are there still stories on her? Is she even acting anymore? Quick check of Wikipedia says she is, but it looks like it’s mostly stuff over in Italy, so I guess that’s why she’s still making the rounds.

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In Malèna (2000, directed by Giuseppe Tornatore), set during WW2 in a rural Italian town, Monica Bellucci plays an impossible vision of beauty; a woman so striking she is immediately sexualised by all who lay eyes on her. Malèna’s reaction to the leering male gaze and subsequent scorn of jealous women is expressed through her hair, make-up and clothing.

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Our introduction to the character occurs with Malèna wearing a just-below-the-knee white dress, lightly padded shoulders, deep neckline incorporating dotted bow detail (this fabric is later reused for another outfit – she is a seamstress) to match black and white edging on the revers. Its tubular fit is reminiscent of the form-fitting 1930s; Bellucci’s figure is emphasised within the story world, aligning our viewpoint with young protagonist Renato (Giuseppe Sulfaro) and not his leering friends.

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Renato sees Malèna as the perfect – the only – embodiment of woman. To cope with his infatuation, Renato fanaticises that he rescues and occasionally disciplines Malèna, yet knows this is impossible in real life until he comes of age.

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The idea of expedited maturity is communicated via costume. Renato is so frantic to be perceived as a man away from short pants; a garment that evidently signifies childishness, that he sneaks his father’s best lounge suit to a tailor’s to have the trouser legs shortened. The change never occurs because his father discovers the misdeed then literally beats his son for daring to be so bold. Eventually Renato is fitted for a two piece suit, though it is his mother who supervises the tailor.

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Malèna’s first transition is consequence of a vital plot point; she evolves from primarily black and white colour palette with some florals, and in Renato’s daydream a revealing pink lace trim nightgown, to pure black on realisation that her soldier husband had died while serving in Africa. Crucially Malèna remains in mourning, often with her head completely covered by a black chiffon scarf, until her second transition to prostitute for the occupying German army. Yet the black on black seems to draw even more attention to her apparent sexual availability.

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Condemned as aloof and unfeeling by women and desperate to sexualise by men, Malèna is forced into submission; she becomes their lie. Even in court for indiscretions not yet undertaken, it is her angular silhouette of wide, padded shouldered crepe dress that lingers. Tornatore wants us to judge Malèna as they do; calculating and cold. Our viewpoint has been temporarily realigned. Even Renato struggles to keep faith.

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Notably, Malèna is often shown to be wearing high heel slingback shoes. Colour and style vary, but that distinctive “click clack” sound remains. Aural warning of the temptress, it is almost as though Malèna marches through town like a Wild West gunslinger; she certainly evokes the same revulsion as one. Men have to dominate for fear of veiling their masculinity, while women must destroy what they perceive as a threat to their marriage.

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Observe as Malèna steps from building to building trying to find respectable employment, camera peering up from her shoes to stocking seam to long dark hair blowing in the wind. Even with Renato as her would-be protector/voyeur, everywhere she goes Malèna is either ogled as a sex object or derided. For that town she was more deadly than the War.

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When Malèna finally succumbs to bullying, partly due to poverty, partly by compulsion, she makes a third costume transition, which is perhaps the most important in narrative terms because although it only confirms what the townsfolk believe they already know, for Renato it forces him to grow up. Chopping her hair into a bob and dying it copper red, Monica Bellucci essentially portrays another character. With costume designer Maurizio Millenotti revealing her décolletage for the first time since the opening scene (unusually, with a zip fasten on the rear of her dress), Bellucci interprets Malèna as obviously terrified, yet as a rush of eager hands jut forward to light her cigarette, suddenly aware of her power too.

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Her shocking red hair soon becomes Jean Harlow blonde. However, by this stage Malèna is too brazen. Despite her promiscuity, which is just what the local men thought they wanted, she has never looked less attractive. Now Malèna is a whore; conspicuous sexuality has overtaken mystique. When American troops arrive to liberate the town, she is brutally punished by an frenzied posse of wives for her collusion with the enemy.

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In actual fact she is punished for simply daring to be. Malèna’s beauty did not enrage them; rather that she refused to deny it, so they took it away from her. Clean white dress ripped to expose her breasts, hair shorn and scalp bleeding; Malèna is hounded as a whipped dog. She flees on the next train out of town, veiled in black to hide her wounds.

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After Malèna’s husband Nino (Gaetano Aronica) returns from Africa, evidently not dead but recovering from Malaria with a missing arm, he is treated almost as badly as she was, just for being married to her. Initially there is some measure of sympathy, but this soon gives way to name calling and even physical abuse. Thanks to Renato’s help, however, Nino does learn where Malèna has fled and a year later the couple return – together.

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This is Malèna’s final transition, when she is at last accepted by the townsfolk. Not out of respect for her courage, but because in a brown striped utility suit, barely nipped in to hide her figure and low court shoes, she is no longer a threat. In essence, they won. They killed Malèna and she was reborn in their design; plain and anonymous.

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6 September, 2011 - VENICE, Italy — Actress Monica Bellucci says her decision to appear nude in her latest film “That Summer” was an act of generosity. Bellucci said the request came at a “fragile moment as a woman,” just a month and a half after giving birth. Bellucci said that when she accepts a role, she also trusts the director. She said she felt protected by director Philippe Garrel during the filming of the scene. Bellucci shares the red carpet at the Venice Film Festival on Friday night with her husband Vincent Cassel, who appears in David Cronenberg’s “A Dangerous Method.

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Bellucci said the request came at a “fragile moment as a woman,” just a month and a half after giving birth. Bellucci said that when she accepts a role, she also trusts the director. She said she felt protected by director Philippe Garrel during the filming of the scene. Bellucci shares the red carpet at the Venice Film Festival on Friday night with her husband Vincent Cassel, who appears in David Cronenberg’s “A Dangerous Method.

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First a stroller. Then two small bobs hanging in the entrance. Aurelia, the housekeeper Italian-Asian, whispers "Buongiorno" opening the door quietly. Only the bells do not follow the instruction: midi sounds in the church of San Roberto Bellarmino residential area of ??Parioli. There's baby and napping in the air. One enters on tiptoe, cracking, despite itself, the elegant oak floor that covers the vast apartment Roman family Bellucci Cassel. When Leonie, 14 months, sleeps, the entire household, which is holding its breath. In the living room, the shutters are pushed to preserve freshness. From the terrace, which grows green cocoon of a lemon, comes the song of cicadas. Suddenly breaking the silence, a chirping rises behind the partition, followed by a soft "Mimi, Mimi" and kisses by the dozen. Monica is finally elected by the French, for the second time, the sexiest woman in the world.

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Sometimes I do not want to believe that a woman so fascinating, intriguing, delightful, which is the object of desire and admiration for the male audience, remains normal, without special pomposity and conceit.

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With remarkable candor in the world of showbiz, but humbly acknowledges that beauty - however important in the development of an acting career - is not important. Besides, as a good time, with time no longer be relevant. It's a cliché, but beauty, beauty fades, so it is important to be how we look, it was what we have to say and who we are.

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For his flesh so calmly walks up and distance. As if it was not interested in the whole surrounding world cmokajacy in wonderment at her beauty and sex appeal: The camera likes pretty women, so models do not have problems finding work in the cinema. Except that we all look at them as puppets deprived brain. And I do not correspond to the role of the sexy kitten. I wanted to work on roles, intellectually and emotionally, not just care about equal to tan [...] I like the challenges that they made me look deeply into the human soul [...] The image is sometimes a trap, but instead of men, mostly fall into the same woman for her

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Monica Bellucci is another Italian actress renowned for her amazing looks and screen presence. Although she has worked on countless film projects, the majority of these are produced by Italian movie studios. She has however, also landed some juicy roles stateside. She starred as the mysterious Persephone in the two “Matrix” sequels.

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Seductive and beautiful actress that his charm is breathtaking not only men are present in the new film in an unexpected role.

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Monica, who will have this year forty-seven years, is still the most beautiful European actresses. Played in the movies yet fated women and beautiful seductress. Literally a few days ago

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the finished work of fiction LME, which has the working title Rhino season, Monica and it will first play an ordinary old woman. The fi lm, the plot does not know much yet, but stresses the creators that their work will no flashy blockbuster film. Spectators can look forward to supposedly artistically ambitious film.

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Italian actress Monica Bellucci pose in retro style for the men’s magazine GQ Italy for the month of March 2011. Monica Bellucci said she would have no objection if her husband was unfaithful to him while the two were separated for a while. The actress said that she likes a relationship with far more respect and loyalty.

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How about a kiss between Captain Ghirelli and the beautiful Monica Bellucci? If you love the series "Rome Ris-Imperfect Crimes" is surely a moment that you dream of beginning the new season. We inform you that your dream will become reality soon.